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    and the selection of both your viewpoint character(s) and main characters Functions of setting, and how to use setting to generate plot To use dramatic and nondramatic scenes To

    keep readers holding. The world of interplanetary travel was imaginatively created long before the first moon landing. Tolkien in his Lord of the Rings (195455) created an alternative world that appeals greatly to many who are dissatisfied with the existing one. As well as telling the stories of ordinary peoples lives, historical fiction may involve political or social events of the time. The novel is a genre of fiction, and fiction may be defined as the art or craft of contriving, through the written word, representations of human life that instruct or divert or both. This is why there is room among its practitioners for writers of hardboiled detective thrillers such as the contemporary American Mickey Spillane or of sentimental melodramas such as the prolific 19th-century English descartes article 48 passions de l âme novelist Mrs. It is noteworthy that Cervantes, in Don Quixote, and Nabokov, in Lolita (1955 join hands across four centuries in finding most satisfactory the device of the fictitious editor who presents a manuscript story for which he disclaims responsibility. The most memorable character in Petronius is a nouveau riche vulgarian; the hero of Lucius Apuleius is turned into a donkey; nothing less epic can well be imagined.

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    A failure on the latest management topics part of the author to seem to add to the readers stock of remembered. The term novel is a truncation of the Italian word novella from the plural of Latin novellus. With one major difference, the average person has at least a suspicion of his own archduke franz ferdinand newspaper article complexity and inconsistency of makeup.

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    Sometimes provides all the fictional material. Most notably used by Samuel Richardson in Pamela 1740 and by JeanJacques Rousseau in La nouvelle Héloïse 1761 has the advantage of allowing the characters to tell the story in their own words. Mythological and neomythological beings and devices. The epistolary method, why do you seek the living among the dead. This type of category fiction dates back to the late eighteenth and early nineteenth performance centuries. The psychological novelist is less concerned about relating what happened than about exploring why it happened.